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You got a great script, now it’s time to start getting it read. In this video we’ll show you how to write a logline that sells.

It’s one thing to write a logline - everyone has one and execs read hundreds a day - but it’s another to write a great one. A logline that gets your script read, gets you in the room, and gets your show made.

Does it all come down to the logline? No, of course not. But it’s an incredibly useful tool that every writer should be able to master.

Loglines are used for a variety of things. From pitching an idea to development executives to those executives pitching the idea to investors to gain capital and funding for your script, everyone wants to read a logline.

As you move through the series and learn about how to frame and present your script, you’ll realize that much of it goes back to this simple sentence that helps sum up the entire idea.

The logline isn’t just a tool to get your script read, it’s the DNA sequence that everything beyond the script is made of. The logline is the genetic information that sets the basis for what your show is and what it’s about.

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