Indiana Jones INVISIBLE BRIDGE Tutorial | Miniature model & After Effects!

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Indiana Jones INVISIBLE BRIDGE Tutorial | Miniature model & After Effects!

►► Watch my FREE WEBINAR here: My Top 10 Tips for making your passion project on a budget https://www.diymoviemaking.com/pl/2147593183 ►► Check out my courses and learn how to make your best film on a budget at https://www.diymoviemaking.com/ 🔥 Instagram: @diy_moviemaking 🔥 Facebook: @diymoviemaking Subscribe for more DIY Hollywood filmmaking effects and tutorials! Here's how we did our recreation of one of my favourite visual / practical effects from Indiana Jones and The Last Crusade - the 'Path of God' scene where Indy must take a leap of faith into a high ravine, where an 'invisible' bridge is camouflaged through the use of forced perspective. Industrial Light and Magic (ILM) created this amazing effect by filming Harrison Ford against a blue screen, and compositing him into a shot of a model bridge and matte painting backgrounds (cheaper than building a full-size set). A puppet of Ford was used to create a shadow on the model. We attempted to recreate this effect in our studio using a green screen (our green screen is bigger than out blue screen for full-length shots) and a slider to do the sideways camera movement for the character. We couldn't do as long a move as in the film, which was most likely done using a track and dolly, and when building the model we had to scale down the move even further. I am by no means a master matte painter like they had at ILM, so the result isn't photorealistic but hopefully demonstrates the technique! We didn't have any kind of motion control like ILM probably did, and so instead we filmed the full-scale element first, filmed the model at half speed (guessing the distance though trial and error) and then used time-remapping to match the timing to the first shot. Then we used motion tracking to do most of the matching to 'stick' the figure into the right place to the bridge, with some manual adjustments of position keyframes to finish. Get unlimited Stock Footage from Artgrid and get 2 extra months with our link: ► https://bit.ly/33Qtw40​ Get unlimited music for your videos on Artlist and get 2 extra months with our link: ► https://bit.ly/3fJ68HH​ Sign up to ProductionCrate for free or paid membership to access their amazing library of assets: ► https://productioncrate.grsm.io/steveramsden2434
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Indiana Jones INVISIBLE BRIDGE Tutorial | Miniature model & After Effects!

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►► Watch my FREE WEBINAR here: My Top 10 Tips for making your passion project on a budget

►► Check out my courses and learn how to make your best film on a budget at

🔥 Instagram: @diy_moviemaking
🔥 Facebook: @diymoviemaking

Subscribe for more DIY Hollywood filmmaking effects and tutorials!

Here's how we did our recreation of one of my favourite visual / practical effects from Indiana Jones and The Last Crusade - the "Path of God" scene where Indy must take a leap of faith into a high ravine, where an "invisible" bridge is camouflaged through the use of forced perspective.

Industrial Light and Magic (ILM) created this amazing effect by filming Harrison Ford against a blue screen, and compositing him into a shot of a model bridge and matte painting backgrounds (cheaper than building a full-size set). A puppet of Ford was used to create a shadow on the model.

We attempted to recreate this effect in our studio using a green screen (our green screen is bigger than out blue screen for full-length shots) and a slider to do the sideways camera movement for the character. We couldn't do as long a move as in the film, which was most likely done using a track and dolly, and when building the model we had to scale down the move even further. I am by no means a master matte painter like they had at ILM, so the result isn't photorealistic but hopefully demonstrates the technique!

We didn't have any kind of motion control like ILM probably did, and so instead we filmed the full-scale element first, filmed the model at half speed (guessing the distance though trial and error) and then used time-remapping to match the timing to the first shot. Then we used motion tracking to do most of the matching to "stick" the figure into the right place to the bridge, with some manual adjustments of position keyframes to finish.

Get unlimited Stock Footage from Artgrid and get 2 extra months with our link: ► ​
Get unlimited music for your videos on Artlist and get 2 extra months with our link: ► ​
Sign up to ProductionCrate for free or paid membership to access their amazing library of assets: ►


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